Black Gun, Silver Star: The Life and Legend of Frontier Marshal Bass Reeves

by Art T. Burton

Book Overview

In The Story of Oklahoma, Deputy U.S. Marshal Bass Reeves appears as the "most feared U.S. marshal in the Indian country." That Reeves was also an African American who had spent his early life enslaved in Arkansas and Texas made his accomplishments all the more remarkable. Black Gun, Silver Star sifts through fact and legend to discover the truth about one of the most outstanding peace officers in late nineteenth-century America--and...

• Format: Paperback
• Language: English
• ISBN: 1496233425
• ISBN13: 9781496233424
• Release Date: September 2022
• Publisher: Bison Books
• Length: 416 Pages
• Weight: 1.24 lbs.
• Dimensions: 0.9" x 5.9" x 8.9"

Customer Reviews

Afro American Heritage Review

A reviewer, curator of AfroAmericanHeritage.com, 03/13/2007 Highly recommended! Brief though the period of the Wild West was, the exploits of its villains and lawmen have fascinated people around the world, and been disproportionately represented in pop culture. But the multicultural nature of the Wild West has rarely been evidenced in the plethora of films, books and television shows. Which probably explains why the arrival of Sheriff Black Bart in Mel Brooks' "Blazing Saddles" (1974) elicited such a stunned response from the townspeople, and a riot of laughter from the audience. Imagine: a black lawman in the Old West! Imagine no more. Deputy U.S. Marshal Bass Reeves, a former slave, served for nearly 30 years in the Oklahoma and Indian Territories, the most deadly location for U.S. marshals. And according to glowing accounts of his bravery, skill and steadfast devotion to duty (found in white newspapers of the time, mind you) nobody was laughing when he rode into to town, especially not the bad guys. As this book amply illustrates, Reeves is remarkable not merely for being a black marshal (there were others) but for being one of the greatest U.S. Marshals, period. But Reeves' story - with the exception of references published here and there - has been largely ignored by western historians. Though widely known and respected during his lifetime, he was illiterate and left behind no diaries or letters, so what little has come down has been in the form of oral history and legends. Art T. Burton has spent the better part of 20 years reclaiming the heritage of African Americans in the American West, and has scoured through a wide range of primary sources - including Reeves' federal criminal court cases available in the National Archives, and account books at Fort Smith Historic Site - to separate legend from fact and painstakingly piece together the story of this American hero. The book is not a biography in the traditional sense, but as the subtitle states, a reader. It reproduces many of the court documents and contemporary newspaper articles with just enough narrative to put them into context. Not being a Wild West buff myself, I felt the author did an excellent job providing background to help me make sense of it all. As the author recounts, one of the first responses he received from a local town historical society in Oklahoma when inquiring about Reeves was "I am sorry, we didn't keep black people's history." This book is the perfect example of the wealth of information which can be gleaned by a creative, dedicated historian who looks beyond the usual sources in order to root out the hidden history of multicultural America. I highly recommend this book to anyone interested in Western history and culture, law enforcement, American or African American Studies. And I hope this book inspires someone to finally bring the life and times of Bass Reeves to the big screen.

Bass Reeves - Frontier Marshal!

This is a very intereting book about a black marshal that rode for Judge Parker. I was amazed at the amount of money he made as a "non-paid" marshal. His influence on the court and the city of Fort Smith at the time was also interesting. An interesting twist to see a marshal on trial, and obviously, motivated by hatred.

Highly recommended!

Brief though the period of the Wild West was, the exploits of its villains and lawmen have fascinated people around the world, and been disproportionately represented in pop culture. But the multicultural nature of the Wild West has rarely been evidenced in the plethora of films, books and television shows. Which probably explains why the arrival of Sheriff Black Bart in Mel Brooks' "Blazing Saddles" (1974) elicited such a stunned response from the townspeople, and a riot of laughter from the audience. Imagine: a black lawman in the Old West! Imagine no more. Deputy U.S. Marshal Bass Reeves, a former slave, served for nearly 30 years in the Oklahoma and Indian Territories, the most deadly location for U.S. marshals. And according to glowing accounts of his bravery, skill and steadfast devotion to duty (found in white newspapers of the time, mind you) nobody was laughing when he rode into to town, especially not the bad guys. As this book amply illustrates, Reeves is remarkable not merely for being a black marshal (there were others) but for being one of the greatest U.S. Marshals, period. But Reeves' story - with the exception of references published here and there - has been largely ignored by western historians. Though widely known and respected during his lifetime, he was illiterate and left behind no diaries or letters, so what little has come down has been in the form of oral history and legends. Art T. Burton has spent the better part of 20 years reclaiming the heritage of African Americans in the American West, and has scoured through a wide range of primary sources - including Reeves' federal criminal court cases available in the National Archives, and account books at Fort Smith Historic Site - to separate legend from fact and painstakingly piece together the story of this American hero. The book is not a biography in the traditional sense, but as the subtitle states, a reader. It reproduces many of the court documents and contemporary newspaper articles with just enough narrative to put them into context. Not being a Wild West buff myself, I felt the author did an excellent job providing background to help me make sense of it all. As the author recounts, one of the first responses he received from a local town historical society in Oklahoma when inquiring about Reeves was "I am sorry, we didn't keep black people's history." This book is the perfect example of the wealth of information which can be gleaned by a creative, dedicated historian who looks beyond the usual sources in order to root out the hidden history of multicultural America. I highly recommend this book to anyone interested in Western history and culture, law enforcement, American or African American Studies. And I hope this book inspires someone to finally bring the life and times of Bass Reeves to the big screen.

An Excellent Biography

Professor Burton's book about Bass Reeves combines thorough, meticulous scholarship on the details of Reeves' long career as a lawman with a most impressive general knowledge of the times in which he lived. The result is a biography unlikely to be surpassed. A question that has long interested me, and is asked by this book, concerns the criteria of historical remembrance. Why, for example, is Wyatt Earp (to pick just one example) remembered and even celebrated to this day, when--at the very least--equally deserving historical figures, such as Reeves, languish in relative obscurity? Were history fair (and of course it is not) the reverse should be the case, as by any objective measure Reeves was the superior lawman. One is cynically tempted to conclude that too often subsequent historical recognition is far more a result of puffery than of merit. Burton does an admirable job of reconstructing what can now be known about Reeves' remarkable life, and adeptly separates myth from fact along the way. This was a difficult task, as Reeves was illiterate, meaning that the record of his life is only indirectly available primarily through court transcripts, oral histories by others, and sketchy accounts in contemporary newspapers not often disposed to celebrate the accomplishment of a black man. In addition, Burton is able to present new and significant information. I, for one, had not known that, toward the end of his career, Reeves was prominently involved in a spectacular shootout (every bit as dramatic as the OK Corral) in Muskogee with a deadly gang of religious fanatics. Until now, lawman Bud Ledbetter (the "Fourth Guardsman") got most of the credit for confronting these dangerous criminals. Professor Burton notes that he's been working on this project, intermittently, for some twenty years--the result is worth the wait.