Betrayals

by Charles Palliser

Book Overview

At once a hypnotic murder mystery, scathing literary parody, soap opera, and brilliant pastiche, Betrayals is an astonishing virtuouso performance by a modern master of literary gamesmanship in the tradition of Vladimir Nabokov and John Barth. The novel unforlds in a series of seemingly unrelated narratives, each written in a different style -- indeed, in a different genre. There is an obituary for a Scottish scientist and Nobel Prize winner, written...

• Format: Hardcover
• Language: English
• ISBN: 0345369599
• ISBN13: 9780345369598
• Release Date: January 1995
• Publisher: Ballantine Books
• Length: 353 Pages
• Weight: 1.30 lbs.
• Dimensions: 1.3" x 6.5" x 9.6"

Customer Reviews

-Too Clever By Half-

"What is this gap, this silence, from which the phallic text speaks and yet remains silent? What is it but the text's phallus? What but, precisely and exactly, that phallic moment from which it has spun itself like a disavowal, a lie. For what is a phallic text if not a lie that has to be unmasked, its strategies outwitted?" What indeed?! And what fiend of a novel would pitch such twisted plays of language, slips of tongue, professional and academic intrigues embellished with the diabolical offenses of murder and plagiarism to this sensitive reader's eye, never to reason why? Well, BETRAYALS would, and does... actually. Truly (or somewhat so), what author Charles Palliser has herein compiled is a series of playfully interconnected novellas into a whole that's quite unlike anything I'd ever read before: even entirely unlike UNBURIED and THE QUINCUNX, the other two Palliser novels I have read. To wit, I have not much to say about the plot, for there is no plot really- there are many. Though I suppose there is a central theme: that being taken from the title itself. There are, however, certain characters whom one may gleefully take to heart and embrace, (the matter, of course, not being whether you like them at all or not- as you'll find, rather, that it's more often that you won't much anyway). -Among my own personal favorites are Galvanauskas- the charismatic intellectual who's somewhat of a sadistic madman (and yet, he's so much more than that-) and Sholto, the mild-mannered bookseller who's practically illiterate, but keeps a diary and has braying sociopathic tendencies (and yet again, so much more to him than just this)! The twists are abundant here as chapter by chapter the plots take surprising turns- with each story, each point of view, and every angle beyond propriety being navigated, introspected, convoluted, dissected, then thrown to the wind like confetti- the bits falling for recycling where they may....... I cannot deny that essentially, BETRAYALS was an enjoyable page-turner - and parts of it had me chuckling aloud. Yet this book actually had the potential to be a masterpiece of the cleverest persuasion -- but alas, in the end it came up well short. In my view, the conclusion was not well in keeping with the body of the work: it was anticlimactic and left a few & sundry questions unanswered. Then again- I do, upon many an occasion since having finished reading it, find myself asking: could BETRAYALS have just been another one of those terribly rampant cases of "the text not properly interrogated," and therefore not "induced to make its voluntary sacrifice" to the power of the critic, therefore becoming "emasculated, and thus made to speak like the tongueless boy"? Hmmm... Indeed, I do not know- and so I ponder on...

A wonderfully twisted book.

I've read this book a few times, and it never fails to amuse me with its intricately woven stories, wicked satire, and twisted plots. Perhaps it's not everyone's cup of tea (as other reviews have shown) but I loved the mix of 19th century convoluted plotting (a la Wilkie Collins or Palliser's own Quincunx) and send-ups of modern literary theory, in the form of a literary critic cum cult leader, and such luminaries as Jeffery Archer, seen here as an egotistical politician turned plagarist. I am not a fan of books as puzzles, but this is no postmodern deconstruction of fiction; it's just a funny take on a thematically linked short story collection.

Complex, interesting, and well worth it

I'm surprised by the unenthusiastic tone of the other reviews. I would assume that anyone who read Betrayals had read, at least, Palliser's first novel, The Quincunx, and would expect a book to be enjoyed more for its the beauty and wizardry of language than an exciting plot.I will admit up front that I read Betrayals years ago and, it's definitely not in the class of The Qunicunx, which I've re-read about three times.Yet Betrayals is truly a suberb book. More in the tone of Umberto Eco (Palliser is surely playing a semiotic theme) than Dickens, Betrayals presents a series of short stories with seemingly distinct plots that slowly and masterfully become entwined. We don't know which story is a subplot of the last, or the master plot of the next. Different chapters confront the same events not only from different points of view of the characters, but from different levels of plot. Is a murder told as news? as the plot of a bad television show? or the background to a love affair.One turns the pages of Betrayals not to reveal the plot -- that is learned early. One turns the pages to discover the talent of Palliser in weaving the different layers into something not truly a novel, not truly a collection, but truly successful.

Intelligence and suspense!

A highly intelligent and entertaining book, forthose who like Dickens, crime novels a la Agatha Christieor Conan Doyle, Conrad or Kipling...