Berlioz and His Century: An Introduction to the Age of Romanticism

by Jacques Barzun

Book Overview

In this abridgment of his monumental study, Berlioz and the Romantic Century, Jacques Barzun recounts the events and extraordinary achievements of the great composer's life against the background of the romantic era. As the author eloquently demonstrates, Berloiz was an archetype whose destiny was the story of an age, the incarnation of an artistic style and a historical spirit. "In order to understand the nineteenth century, it is essential...

• Format: Paperback
• Language: English
• ISBN: 0226038610
• ISBN13: 9780226038612
• Release Date: August 1982
• Publisher: University of Chicago Press
• Length: 448 Pages
• Weight: 1.03 lbs.

Customer Reviews

A wonderful, comprehensive narrative

Jacques Barzun is an unapologetic advocate of great men (and women) and, in one of his most subtle philosophical veins, he has here comprehensively treated Berlioz as such an entity- rather than a style, technique, or eccentric- within the contemporary and personal world that the composer occupied and was occupied by. The designation of Berlioz, along with Keats, as The Romantic Genius, has cemented his place in the general surveys of musical and 19th century history. Sustained equally by the overly-emphasized program of "Symphonie Fantastique" and the easily recountable breaking of his engagement to Camille Moke- Berlioz as a Personality could be as easily subsumed in a general, genteely eccentric, demi-Napoleonic, bohemian Romantic "character". Barzun does not reject the singleness of the Romantic era, as he might have done, in questioning the existence of such an all-encompassing character for it; but explains the depth, the real pragmatism and sense of great morality, on all sides, by which the new generations of necessarily market-dependant artists were precluded by the more aristocratic-minded institutions that fostered them. Berlioz stood in the earliest of these generations, and emerges from his environment sympathetically human. If the embodiment of a period in a single person is a cause for endless fascination (and, barring that, assignation), it is also a cause for beaurocratic tedium, financial pandering, and occasional compositions. Barzun, having managed in one of his more recent works to extradite John Calvin from the morass of that leader's legacy, deserves admiration for the still more formidable task, in this work, of sorting out the arguments of the last two centuries concerning artistic prerogative, if not for happening yet on their solution. "Berlioz and His Century" consequently retains (like all of Barzun's narratives) both historical importance and present relevance in the full extent of its range, while remembering the real and finite experiences of the individual figures who made their times important and relevant.