Berlin Game

by Len Deighton

Book Overview

When a valuable agent behind the Iron Curtain signals he wants out, it's up to Bernard Samson, once active in the field but now anchored to a London desk, to undertake the crucial rescue. But soon,... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0394534077
• Release Date: November 1983
• Publisher: Alfred A. Knopf
• Length: 345 Pages
• Weight: 1.26 lbs.

Customer Reviews

The things we do for love . . . and loyalty.

Bernard Samson is getting older. And in his line of work that's a definite drawback. No EEOC here to preclude discrimination against the over 40 crowd. Here getting older might mean your death. Samson worries about all of the things all of us do. His passion for his wife Fiona is often visited by equal doses of lust and insecurity. His car is shot; when is going to be able to pick up his new set of wheels? His boredom with the job and his immediate superiors are both frustrating and funny. One thing is clear, though, Bernard Samson holds loyalty above all. When he was much younger and the East German Police were closing in on him, a planted agent whom we know now only as "Brahms Four" comes back to get him, and saves Bernard's life. Now years later, that anonymous agent wants out and he wants Bernard to bring him out.Carrying all the boredom of a careful precise job where to err is not human but terminal, Samson plots and plods to regain the mettle to cross the line into East Berlin and extract his friend. Bernard is of course in his own right, an excellent spy.Bernard Samson is like Harry Palmer in The Ipcress File, the antithesis of the sleek, flashy James Bond. The normal man or woman caught up in the spy game, not necessarily of their own choosing, trying to get through another dreary, scary day. The writing is excellent. Double crosses, infidelities, triple crosses, humor and lies frequent this is a trip into the past where authors like Deighton, LeCarre and DeMille cut their teeth, in the evil Russian Empire post WWII spy network. If you liked Charm School or other works set in the shadow of the Berlin Wall when Russia was the reincarnation of the Nazi Empire, you'll thoroughly enjoy this trip back to the early '80s, and the first of Deighton's Bernard Samson trilogy. Five stars. Larry Scantlebury

Best read as a trilogy - Game, Set, Match

After I read this book, I gave it four stars. After reading the whole trilogy - Berlin Game, Mexico Set, and London Match - I upped my rating to five stars. Each book can standalone, but the full potential of the story isn't realized until the denouement of London Match. The tension ebbs and flows throughout the trilogy, but it isn't until the climax of London Match that we see the full scope. Highly recommended!

Excelent Part 1

Slow at first but indispensable for us who had to be introduced to the characters. This book is not about action but about intrigue, and it does it very well. It makes you feel that spies are very much by their own even if they are at home. This is a very good read.

Character delineation at its finest... a must read!

It is impossible to truly convey the power and brilliance of this series. While a little patience is required, as with any true great literary work, the rewards are immense. I could give this book a 10 for any number of reasons such as the ingenious plot, or the unbelievable research demonstrated in the book's high level of realism. Ultimately however, it is the character development that steals the show and you'll very quickly feel as though you've actually known these people all your life. When fiction begins to take on it's own form of reality, that's when a book (or series) becomes really interesting.

Slick, sexy, engrossing

The first in a trilogy featuring Agent Bernard Samson, no accolades are too much for this superb specimen of that fast-disappearing genre, the spy novel set during the Cold War. I'll not give the plot away. Suffice to say that it involves a pretty darn complicated counter-espionage plot, and that the denouement at the end is terrific. Never over-dramatizing, but always keeping the story gripping and the characters immensely believable, Deighton shows us why he's a prime exponent of the art. In this era of political correctness and the East-West detente, Deighton's novel transports the reader to a time not so long ago, when The Wall was not just the name of a Pink Floyd album.