Believing Is Seeing: Creating the Culture of Art

by Mary Anne Staniszewski

Book Overview

Why are the paleolithic Venus of Willendorf, Michelangelo's Sistine Chapel frescoes, and Marcel Duchamp's ready-made urinal all considered works of art? Why, strictly speaking, is a Cindy Sherman photograph more art-like than a Da Vinci portrait? How did the painters and sculptors of the Renaissance see their creations? And who decides what art is today? In the tradition of Marshall McLuhan and John Berger, this learned and deliciously subversive...

• Format: Paperback
• Language: English
• ISBN: 0140168249
• ISBN13: 9780140168242
• Release Date: January 1995
• Publisher: Penguin Publishing Group
• Length: 320 Pages
• Weight: 0.75 lbs.
• Dimensions: 1.1" x 6.0" x 8.5"
• Age Range: 18 years and up
• Grade Range: Postsecondary and higher

Customer Reviews

This is a great book!

Mary Ann Staniszewski's "Believing is Seeing" is a GREAT book. It is articulately written with many reproductions and is used in many university and college level art courses across the country!! Navigating the unnecessarily murky waters of modern and contemporary art, this book is refreshing in its insightful directness about art, culture and value.

Refreshing take on Art

First of all, I find that most of the reviews of this book are one star because the readers didnt agree with Staniszewski's ideas, however they ignored how well written this book is. She takes the way we typically view "art" and shows us how fraudulent it is. In doing so she challenges not only are view of art, but also our view of the world around us. Even if you dont like her ideas its no reason not to acknowledge the intelligence with which she has written this book.

Post-modernism finally nakes sense!

From Michelangelo to Madonna, when it comes to making sense of art, Staniszewski explains it all. Whether you are a student or just someone perplexed by the money, attitudes, or direction that the art world takes, I could not recommend a more readable yet comprehensive beginning. Over half of the well-designed book is a panorama of cleverly chosen pictures, but the text is a clear and simply put construction of contemporary ideas of art history. A term that is especially bandied about these days like a crowbar is post-modernism, but without much explanation. After reading this book, I am now a true believer (and hopefully a truer see-er). It has been hard to keep this book out of the hands of friends. I may have to order a case to give out as gifts!