Beats Rhymes & Life: What We Love and Hate about Hip-Hop

by Ytasha L. Womack

Book Overview

Our generation made hip-hop. But hip-hop also made us. Why are suburban kids referring to their subdivision as "block"? Why has the pimp become a figure of male power? Why has dodging the feds become... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0767919777
• ISBN13: 9780767919777
• Release Date: May 2007
• Publisher: Crown Publishing Group (NY)
• Length: 320 Pages
• Weight: 0.70 lbs.
• Dimensions: 0.9" x 5.5" x 8.3"

Customer Reviews

From The Stage To The Street

When did we first fall in love with Hip-Hop as a culture, and as a lifestyle? When were we first disappointed in Hip-Hop as a culture, and as a lifestyle? Beats Rhymes and Life discusses this in terms that two generations of Hip-Hop lovers can understand beginning with the foreword Michael Eric Dyson compares and contrasts the Hip-Hop movement of the eighties with the civil rights movement of the sixties socially, economically, and politically. Beats Rhymes and Life breaks down the culture, movement, and business of Hip-Hop from the perspective of rappers (through interviews) as well as from the perspective of fans. Several common Hip-Hop personas and personalities are discussed as well as why it is popular, what type of influence it has on the community/race and what rapper was the originator of this image. For example P. Diddy is listed as one of the originators of the "baller" persona, notable follow-ups include "Baby (Birdman), "Lil Flip" and Fabulous. Beats Rhymes and Life also lists Tupac as being the originator of the "superthug/gansta" persona, notable follow-ups include Mobb Deep and 50 cent. I enjoyed Beats Rhymes and Life because it explored many different facets of Hip-Hop and their effect. The writing is honest, and humorous (where appropriate). This book is a must read for anyone who feels strongly about Hip-Hop. This book is truly an education into a cultural phenomenon. Reviewed By: Porscha APOOO BookClub

"Sparks debate and discussion...presents an opportunity for us to ask ourselves difficult questions.

"Beats Rhymes & Life sparks debate and discussion. It provides an interesting theory on the symbols in hip-hop, highlighting some compelling interviews with some of the top entertainers in the industry depicting hip-hop as a major influence in our world today. Promoting a notion that hip-hop has some how gone wrong and offers reason for us to ponder, which presents an opportunity for us to ask ourselves difficult questions." "Overall, profound opinions are presented generating serious thought about the true ramifications of what is displayed through this complex genre of music through Beats Rhymes & Life." "Do we attempt to silence or limit the artist or do we change what is often times their reality and maybe then people will not feel embarrassed, ashamed and degraded? Perhaps the change needed is far deeper than a genre of music." "Highly recommended for those truly interested in taking a look at this issue from various perspectives."

Our Love/Hate Relationship with Hip-Hop

Over the past 30 years, hip-hop has been a familiar friend to many of us. It's been a ear to complain to, a shoulder to lean on, a crush to flirt with. But just like those close friends we came up with, hip-hop has changed and evolved as time progressed. Hip-hop began as a cultural movement conceived in the hearts and souls of urban communities in the 1970s but has grown into a mass-produced mainstream commodity in the 2000s. It has mutated from the days of the 12" vinyl, all-night dance parties, and social commentary into pirated mp3's, candid sexualization of our women, and the constant pursuit of diamonds. Often, some of us openly wonder has hip-hop taken a turn for the worst - a complicated question, to say the least. But in Beats Rhymes & Life, co-editors Kenji Jasper and Ytasha Womack attempt to peel back the layers of stereotype and convention and address the query at its heart. The most recognizable symbols from the genre are all dissected at length by prominent journalists in the field, who analyze modern motifs from the diamond infatuation, the adoration of pimping, the devotion to holding down the block, and the magnetizing allure of the coffin, among others. The array of contributors aims to produce a diverse explication of the state of the hip-hop nation. The mixture of freelance writers, poets, filmmakers and editors allows Beats Rhymes & Life to dwell on a range of issues, such as hip-hop's fondness for cannabis and the garnishment of young women as live-action sex toys, to the MC Hammer backlash and religious dynamics within rap. In his section, "The Disgruntled Fan", Faraji Whalen draws attention to the often-overlooked foster model hip-hop serves as for many youth. "With so many black youths living in single-parent households in which that single parent often works two jobs, there is frequently no one to teach the nuances of social interaction and appropriate behavior other than the TV and the CD player. And since the vast majority of these single parents are women, there's a void of male role models. So when our young consumer swithces on the boob tube and sees Jay-Z leaned up against a Bentley, `all the wavy light-skinned girls' loving him now, it's fairly easy to decipher how Jay becomes his operational role model." Michael Eric Dyson exposes in the foreward the magnetic appeal of the late Tupac Shakur. "[He has] Black Panther sensibility, joined with political thuggery, joined with black romantic ambition, and the hoochization of the black female populace...I was attracted to him because the contradictions were in him. They were both spectacular and effectively destructive. Tupac represented the best and the brightest on one hand, and the worst on the other, at the same time." Complementing the journalist critiques are exclusive interviews from of hip-hop's premier names, along the lines of Nelly, Ludacris, Scarface, Heather Hunter and others. The decline in quality from many hip-hop acts is touched on