ontrol and beauty, composition and precision: like one who looks through a pinhole camera and from that vantage notes and examines the unexpected, the near, the never seen before, Gaspar Orozco, a poet, almost an entomologist, almost a Buddhist monk, brings to the eyes, tongue and ears of the attentive reader wisps of a reality, a hyperreality, that flickers for a moment and then is gone. Poet of lucid verse, of contrasts and tensions, Autocinema...
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Poetry