Auschwitz and After

by Charlotte Delbo

Book Overview

Written by a member of the French resistance who became an important literary figure in postwar France, this moving memoir of life and death in Auschwitz and the post-war experiences of women... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0300070578
• ISBN13: 9780300070576
• Release Date: January 1995
• Publisher: Yale University Press
• Length: 376 Pages
• Weight: 1.05 lbs.
• Dimensions: 1.0" x 5.3" x 8.5"

Customer Reviews

If you read no other book on the Holocaust, read this one.

The other two reviews are so insightful and accurate, in my opinion, I should have little to add. Yet, after reading "Auschwitz and After", I felt I had to express something of how the book made me understand and grow. As a convert to Judaism (born in 1951, I was on the pathway my whole life, I realize now), I have read many, many books/memoirs/histories on the Holocaust. Many of them have been very moving, indeed, beginning with Anne Frank's Diary, on through to "Maus". Though I acknowledge that these words have been said before, I still believe that Charlotte Delbo's words put me into that Hell more than any other survivor's testimony to date. Delbo's words do more than say "this happened and that happened". They are poetry...yet how can poetry apply to any experience in a death camp? Surprisingly, scarily, the poetry transports the reader there more truly than any film, any historical analysis, even better than any well-written survivor account. At first I thought I would not like it; my sensibilities were offended that someone would write in poetic format about an experience at a death camp ("Maus" was different; it was a cartoon, yes, but drawn by the son of a survivor, not a survivor). After finishing Delbo's triology, I feel that her words (not all in poetic form) made me understand as much as anyone who did not experience a death camp, how it felt, how one survived, what one endured when one "came back" to the "real world". Due to the passage of time, we are losing the remaining Holocaust survivors. Hence, Spielberg's and others' efforts to record the testimony before it is too late. There has been more attention lately paid to the children of the survivors' and how their parents' experiences affected their lives. Delbo's words transcend the words of one survivor - she really makes the reader understand what happned to those who "came back", how little they had to give, in some cases, to their spouses, to their children. American culture puts a lot of emphasis on "getting over, moving on". To some extent, I believe this is usually a healthy thing to try to do; but some experiences fall outside the realm of being able to "get over it". I would suggest that some experiences are so traumatic that one cannot "process" them and get over them. How is forgiveness possible when the entire world is affected as a result? Some experiences mark a person and maybe a culture permanently, and to deny or to try to repress this is unhealthy. At the end of their lives now, most published Holocaust testimonies report that the death camp experience "never leaves you" - something "survivors" probably didn't believe when they were first liberated. The fact that the Holocaust survivors are becoming fewer and fewer makes Delbo's book all the more important because it conveys the true horror, the true evil of human degradation and genocide - and explains why the Holocaust, as well as other genocides have

Delbo and the survivors

This book is a translation of the famous postwar trilogy of Charlotte Delbo, a French Resistance fighter who was caught and sent to Auschwitz, then transferred to Ravensbruck. She was, and is, quite well-known in France. Though she is now deceased, the translator, Rosette Lamont, knew Delbo personally and is the foremost expert on her work, having written a number of articles on Delbo. Another who has written sensitively about Delbo is Nathan Bracher. Like all translations, there is a little something lost in the English rendering. If you are able to read the French, the original titles are "Aucun de nous ne reviendra," "Une connaissance inutile," and "Mesure de nos jours." Other books by Delbo you might find interesting are "La Memoire et les Jours," and "Le convoi du 24 janvier." She also wrote a number of plays, and poetry that isn't in this trilogy.Thanks to the work of the Video Archive for Holocaust Testimony at Yale University, the Survivors of the Shoah project by Steven Spielberg, and the efforts of the new National Holocaust Museum, there is no shortage of testimony from Jewish survivors of the Holocaust. But Jews were not the only victims of the Nazi regime, and there is surprisingly little testimony from non-Jewish survivors. Delbo is probably the only non-Jewish victim who became an important literary figure in the postwar era, and her position as victim along with her eloquent indictment of Christianity and Christian culture for their complicity in the extermination of the Jewish victims with whom she feels strong kinship and empathy make her work an absolutely unique contribution to post-Holocaust literature. Feel free to e-mail me at schnaibl@fas.harvard.edu for more bibliographical references.

Amazing account

I have never read a book on the topic of the Holocaust that grasped it quite as well as this one has. Other books make the Holocaust sound 'too good' compared to her stories and accounts that are portrayed in this book. If you want to get a real grasp or feel of the Holocaust experience in a poetic and creatively written path, then this is a book you should read. Also, for anybody interested in the Holocaust, this is a definite must. It is basically as true and real as an account on the Holocaust can possibly get. It is simply an amazing piece of work.