As We Are Now

by May Sarton

Book Overview

So begins May Sarton's short, swift blow of a novel, about the powerlessness of the old and the rage it can bring. As We Are Now tells the story of Caroline Spencer, a 76-year-old retired schoolteacher, mentally strong but physically frail, who has been moved by relatives into a "home." Subjected to subtle humiliations and petty cruelties, sustained for too short a time by the love of another person, she fights back with all she has, and in a powerful...

• Format: Paperback
• Language: English
• ISBN: 0393309576
• ISBN13: 9780393309577
• Release Date: October 1992
• Publisher: W. W. Norton & Company
• Length: 144 Pages
• Weight: 0.42 lbs.
• Dimensions: 0.3" x 5.6" x 8.3"

Customer Reviews

The Most Dangerous Emotion

This was my first experience with May Sarton, and I was fully impressed with her writing. Her main character, Caroline Spencer, is a heart-breaking gem. I wanted to take her into my home, like Evelyn with Mrs. Threadgoode in Fried Green Tomatoes at the Whistlestop Cafe. As We Are Now is written in the form of a journal kept by a woman consigned to a "home" after a heart attack makes her unable to live alone any longer. Initially, she keeps the journal to fight her fear of losing her memory and her mind in what she refers to as a "concentration camp for the old". This is no institution, but a large house run by two women; Miss Spencer is the only female "guest" among a number of mainly somnolent men. From the beginning she cautions herself against hope, "the most dangerous emotion", but nevertheless strives to maintain her sense of self in a terminally dehumanizing situation. It took some courage to finish the book, because very little good stuff happens, and how it will all end is fairly clear about half way through. But I am very glad I read it, and I think everyone should. We all have aging relatives, and we all will be old one day if we live long enough. An emotionally difficult subject, artfully handled

Powerful and moving

Caroline Spencer is an aging schoolteacher who gets placed in a caregiver's home by her family. She is soon faced with the fact that her caregiver Harriet Hatfield is not unlike a jailer, though she probably means well. Caro is subjected daily to petty cruelties and subtle humiliations, and she almost succumbs to actually taking the tranquilizers she's brought. She keeps a journal to retain her faculties and as a last defense against infirmity. When a married woman temporarily helps out around the home, Caro learns the true nature of love, late in her life. Harriet finds Caro's journal and nearly destroys Caro's morale, but this only drives Caro into a last act of defiance and release. This is the second Sarton book I've read; the first being "Mrs Stevens Hears The Mermaids Singing" (#95 of the 100 Best Lesbian & Gay Novels). Her writing is superb and so beautiful. "As We Are Now" is her indictment against the treatment of the elderly and a brilliant book about growing old and struggling to cling to the world. Kate Millett's memoir "Mother Millett" also deals with the treatment of the elderly in this country, and it's sad to see that it hasn't changed much.

Dignity Within

I have long admired May Sarton's willingness to tackle tough subjects that deal with the inner reality of her characters as they face issues or things about themselves that are not always pleasant. One of my favorite works for example is A Reckoning, in which a woman comes to terms with her own premature dying. Here in As We Are Now, however, Sarton pushes past even her own limits to probe an issue that festers behind the scenes of our youth-obsessed culture - the relegation of the elderly to rest homes, nursing facilities and sanitariums; any place in short where the rest of society doesn't have to see or think about them. What makes Sarton's book such an achievement is how she is able to depict the sordidness and relentless oppression experienced by her main character Caro, while infusing her at the same time with a dignity and strength of character that transcends the worst the situation can dish out. The triumph of the novel is that in the end, we come to see Caro not as an elderly woman, but as a woman infused with a light of her own making.The story begins with Caro being placed in a rest home by her older brother. Caro has had a heart attack and can no longer live in her own home, and the older brother's younger wife can't handle having Caro live with them. Unfortunately, or perhaps predictably, the rest home is little more than a holding tank where the residents are treated like mentally deficient children, and any attempt to buck the system results in punishment. The most disturbing aspect of the whole thing, however, is that Caro is perceptive, bright and very much alive. A former teacher with students who still write her, she reads and studies poetry, observes and comments astutely on her fellow residents, and replays her favorite music in her mind to keep herself busy. As a reader you want someone to do something, for some long lost relative to appear, a former student to offer a haven, or the visiting minister to report the abominable conditions. Only slowly do you, like Caro, become resigned to the fact that this is what happens to the elderly in our society, and come to realize that the only escape will forged within and by herself.That Sarton has managed to give her character dignity, that the novel stands as a testament to the strength and beauty of the human spirit rather than a condemnation of society, is remarkable. This book should be read by anyone who has or will be faced with the issue of aging - in other words by everyone.

Gifted and talented writer

May Sarton's protrayal of an elderly schoolteacher entering a nursing home, stripped of her dignity and privacy is heartwrenching. I loved the book and found myself questioning the way we ignore our aging population. The author pointed out that people spend years in nursing homes and become shells of what they were. They retreat into despair and decline only because they are ignored from others. It is so sad and yet there is so much truth to the way we shune our elderly population

in a culture obsessed with youth....

....how easy it has become to demonize the elderly, whom too often we shut away in sanitary "homes" where we won't have to have a relationship with them. This novel takes a common scenario to the extreme and by doing so poses questions about why we see (or fail to see) the elderly as we do...