Art Nouveau

by Gabriele Fahr-Becker

Book Overview

The unity of art and life was the expressed goal of the Art Nouveau movement, the prelude to modernity. On the basis of shared ideas its adherents strove for a homogenous style, which nonetheless took... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 3895084441
• ISBN13: 9783895084447
• Release Date: January 1997
• Publisher: Konemann
• Length: 420 Pages
• Weight: 6.35 lbs.
• Dimensions: 1.4" x 11.0" x 12.7"

Customer Reviews

Fabulous

Fabulous book. I've had this book for years and now buy copies for my friends who are interested in art.

A Total Work of Art

Art Nouveau (French for new art) was a decorative arts, design and architectural movement that began in the last decade of the 19th Century and ended with the cataclysmic onset of World War I. Art Nouveau was a reaction to the shoddy, fussy and regressive historicism of most 19th Century industrial design and architecture... it truly was the dawning of the modern age in the fields of the applied arts. Art Nouveau had its germination in England of the 1870s and 1880s, first with the Aesthetic Movement, and then with the Arts & Crafts Movement, but the style came to full fruition in continental Europe during the 1890s. Variously inspired by nature, Rococo, Symbolist art and poetry, Japanese and Middle Eastern art and the female form, Art Nouveau was a dynamic and ebullient style that briefly captivated the fervid imagination of the turn of the century public. Its first flowering was in France and Belgium and then later in Scotland, Germany, Holland, Scandinavia, Spain, the Austro Hungarian Empire and later still across the Atlantic in North America. Art Nouveau was a pan european movement that swiftly spread around the industrialized world during the first age of globalization, predominately being concentrated in larger urban areas. The new style flourished in towns and cities such as Paris and Nancy, Brussels, Darmstadt, Munich and Weimar, Barcelona, Glasgow, Helsinki, Vienna, Prague and Chicago amongst others. Early Art Nouveau was graceful and elegant with a stylistic vocabulary inspired by motifs drawn from nature, such as stylized plants with whiplash tendrils; it was curvilinear, curvaceous and sinuous. Later the style became more abstracted, rhythmical and severe (especially in Austria and Scotland) with an emphasis on straight lines or repeating squares and selective ornamentation. Art Nouveau was known under various names in many European countries; three amongst them being, Jungendstil in Germany, Stil Liberty in Italy, and Modernisme in Spain. Art Nouveau pursued an aesthetically unified goal with its best designers creating a gesamtkunstwek (German for total works of art) where every component in a buildings interior was coordinated and homogenous. Art Nouveau was an art of the Fin de Siecle or Belle Époque age with their enthusiasm for, yet apprehension over the fast pace of industrialization. The facade of the old world was crumbling to be replaced by a new social and economic order that frightened many people who were quite comfortable with the way things were... great change comes at a price. Art Nouveau artists and artisans created a wide range of products; from delicate ceramics, glass, carved and gilt furniture to gold, silver, jewellery, illustration, posters and paintings. An example of one of the new forms to be explored was the electric lamp; artificial lighting (replacing candles, gas and oil) had just been invented and Art Nouveau artists responded with great originality, gaiety and freshness. There was a new generatio

An all-encompassing study of Art Nouveau in all media ...

A German art historian writing (admirably) in English, Gabriele Fahr-Becker gives us an immensely rich and vital resource, arguably the most comprehensive book of its kind. In its 420 pages, she fully documents Art Nouveau's origins, from Japan to the Middle East, the Guilds to the Aesthetic/Arts & Crafts movements, and the Pre-Raphaelites to the Symbolists. The scope of Art Nouveau is evident in its geography, the categorical basis on which the author presents an extensive range of material -- not only from Paris, Brussels, and Vienna but also from Glasgow, the rest of Europe, and America. Appropriate for both scholars and a popular audience, it is densely packed with hundreds of gorgeous color illustrations. Its special features include mini-biographies of artists associated with Art Nouveau and a complete glossary of terms. Conscientious and thorough, Fahr-Becker gives due attention to Art Nouveau's sensuous language, explaining how "...plants and animal symbols, more eloquent than words, became the emblems of eroticism." In Art Nouveau, she implies that there could be decadence without obscenity, as art went "back to nature". During the period, there were still "symbol's of man's (sic) sexual confusion" for which "Sigmund Freud tried to offer a remedy ... through psychoanalysis." She is careful to emphasize, however, that in the realm of the senses, Art Nouveau struggled to pick up where the Pre-Raphaelites left off, "with a fusion of eroticism and spiritual nobility."

The Flowering of Modernity

A very large, comprehensive and definitive book on Art Nouveauâ€" with almost 480 sumptuous illustrations, many full page and double page, and almost all in beautiful color â€" of the highest quality photographic reproduction. Absolutely breathtaking example s of the great diversity of Art Nouveau as it is expressed in decorations, embellishments, objects of every description, jewelry, lighting and lamps, furniture, architecture and fine art. This overwhelming quest for the New (Nouveau) â€" a monumental art mo vement which swept across Europe and America around the turn of the centuryâ€" awakened western culture from the limiting concepts of the 19th century into the global enlightenment of the 20th. Revolting against repressive 19th century mores, Art Nouveau e xplored and reveled in the vital life-force of nature and its untold processes and organic mysteries.End Notes: "On the basis of shared ideas and ideals, artists strove after a homogenous style that would find expression not in uniformity but in variety. Despite all the inconsistencies, a unified framework does show through the many variations. . . Art historian and Art Nouveau scholar Dr. Gabriele Fahr-Becker pursues this yearning for an all-pervasive style in its impact on architecture, interior desig n, furniture, gold and silversmiths' works, art ceramics and glass, graphics and painting. She guides the reader through the various national schools in Scotland, England, France, the Netherlands, Belgium, Italy, Spain, Russia, Scandinavia, Germany, Austria and the United States." . . . "The countless threads of Art Nouveau are interwoven to form a complex and yet clearly distinguishable picture of an art movement on the threshold of the 20th century."""