The twenty surviving works of Antoine Bruhier (b. c. 1460 or 1470; d. after 1521) raise an unusually large number of tantalizing, sometimes perplexing, and ultimately thought-provoking issues. His earliest known composition, for example, is Latura tu, No. 7 in the present edition, published by Petrucci in the Odhecaton of 1501. This chanson finds itself in extremely good company, being immediately preceded by Hayne van Ghizeghem's A la audienche and...