Angels in the Architecture: A Protestant Vision for Middle Earth

by Douglas Jones, Douglas Wilson, Douglas M. Jones III

Christianity presents a glorious vision of culture, a vision overflowing with truth, beauty, and goodness. It's a vision that stands in stark conflict with the anemic modern (and postmodern)... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 1885767404
• ISBN13: 9781885767400
• Release Date: November 1998
• Publisher: Canon Press
• Length: 220 Pages
• Weight: 0.74 lbs.
• Dimensions: 0.5" x 5.5" x 8.5"

Customer Reviews

Beauty as a test-case argument for the Christian Worldview

Angels in the Architecture (AA) is a bold, magnificent book. And when it is wrong in factual assertions, it is magnificently wrong. Ok, seriously. The authors propose against the stale, bloody worldview of modernity a rich, robust *paleo* medieval worldview rooted in Protestant Theology. My review will come from a number of angles. *What if Tolkien were a Calvinist?* The subtitle suggests Tolkienesque themes. But isn't the subtitle contradictory? Tolkien was a *Catholic!* Well, stay with me for a second. The themes found in Lord of the Rings are not inconsistent with the protestant worldview. This book (AA) should not be read as a historical survey of the middle ages that ends with the convenient conclusion, "Oh, the middle ages happened to be thoroughly protestant after all." No, this book reads as a reconstruction of the Christian worldview-praxis drawing from the finest elements of Medievalism. This is where it is more Tolkienesque than Tolkien himself. Roman Catholicism, in its worst forms, had a nature-grace dualism, robbing it of the goodness of an earthy, creational life. This book ditches the nature-grace scheme and embraces the earthy aspect of the Christian faith (e.g., sex for marital love's sake, beauty that isn't platonised, etc.). Pros of the Book: 1. Its hauntingly beautiful style. Chapters 2 and 3 are worth memorizing. They will teach you how to write well. The sections on Beowulf and "pure northerness" are worth the price of the book. 2. Its boldness. Modern-day Calvinism needs to make Calvinism beautiful. There is nothing wrong with that. Be winsome and witty in presenting the faith. More people might actually become Calvinists, who knows? 3. Its ability to say a lot with a little. At times the authors do engage in sweeping generalizations. Nevertheless, they also express some knotty problems with amazing ease. Cons of the Book: ~1. Accuracy? Did the Middle Ages really teach this? Probably not. That's not the point, as I suggested earlier. This should be read as a future reconstruction of society along medieval lines, lines which have been purged (no pun intended) of its compromises. ~2. I am not convinced of Wilson's argument for the Authorized Text. He makes a good case, but I am not buying. ~3. The chapter on agrarianism has taken a lot of hits. I actually like it. But I was told that I shouldn't like it, so I acquiesed. Seriously, the authors could have better nuanced it to say "garden-city" as man's telos.

A grass-roots cultural vision

Anyone who has read or heard material produced by the Dougs (Wilson and Jones) of Canon Press can appreciate their contributions and insight to the discussions within the evangelical church. However, it is their thoughts and scholarly work on the pursuit of the full, Christian life where they are at their best. What Angels in the Architecture suggests is nothing short of revolutionary. Not an Oliver-Cromwell-meets-Paul-Revere type of revolution, but a much more insidious revolution that spans the distance of even centuries. It is the kind of revolution whose battlefields are the family gathered for dinner, the place where the rod meets the rump, an author's godly and submissive inspirations, the church gathered for the Lord's supper. Christian medievalism must be a grass-roots revolution, calling for faithfulness and generational patience in Christ's body. The Dougs teach us that we must stand on the broad shoulders of our godly church traditions and begin to think and feel the rhythmns of truth, beauty, and goodness before the face of God. Our culture must be transformed, so we must see the urgency and the opportunites that surround us. The Protestant Reformation may have preserved God's truth, but we must synthesize reformational truth with the glorious cultural visions of our medieval fathers. In Angels in the Architecture, Jones and Wilson have broken the ice. Now we must see how deep the water goes.

The good life. But prove it!

This book is one of the most beautiful books I have ever read. My soul simply aches after reading anything in it. I especially enjoyed the chapter Wine Dark Sea, and its analysis of ancient pagan art. Wilson claims that Jesus Christ has overthrown that regime, and the only beauty available to us now is through Him. Even non-Christians, in producing works of great art, must do so in reference to Christianity. However, there is one major flaw in this book, though perhaps the authors never intended to address this issue. That flaw is this: the authors make the claim that the Medieval times were times when truth, beauty, and goodness were defining charateristics. It's fine to make that claim, but there is no proof of it in the book that I can see. I _want_ to believe it simply because I see no beauty whatsoever in modernity or post-modernity. I want to believe them, yet I know next to nothing about the Medieval times. It seems to me that the authors might very profitably spend some time supporting their claim that the Medieval period was everything they claim it was. Or perhaps they have already done that, and haven't produced the evidence of their work. In either case, I want to see the proof!You've whetted my appetite, now satisfy it!

A Critique of Modernism

Modernism has failed. While most of the intelligentsia still view the world through the strict, formal constructs of the modernist lens, the actual system is a dying religion. The "enlightenment" has kept many blindfolded through the centuries of its existence. The so-called "reason" of enlightenment thought has imprisoned and murdered. It has created the cold, ugly world in which we now live.But what is to be done? It seems as though these Dark Ages will never end. Even most Christians, who should know better, have bowed before the god of modernity. Should we despair? It certainly seems justified. However, amidst the darkness which enshrouds the mass of pop-Christian fluff books and secular nonsense stands a wonderful new book called Angels in the Architecture, written by Douglas Jones and Douglas Wilson. In this book, Jones and Wilson remind us that things have not always been like they are now. There was an age when truth, beauty, and goodness were the defining virtues: what has been called the Medieval period. This was an age in which God was both glorified and enjoyed. Modernist Christians believe that we are more holy if we eternally wear a long sour face and suck on lemons. Medieval Christians believed that God had called them to enjoy life - to laugh, to play, and to feast.But Jones and Wilson do not merely look back at the medieval period with nostalgia. They apply what used to be to what could be. Rather than falling into the trap of pessimism and despairing lamenting about our culture, Angels in the Architecture presents a multi-faced display of what life, culture, and a worldview should be. Douglas Jones gives a good overview of the book by describing what virtues a Christian culture should manifest:"[A] love of beauty permeating every part of life; a deep respect for the majesty and liberty of God; a holy recognition of the deep biblical antithesis; humility in covenantal redemption - imputed righteousness; laughter as a habit of life; a devotion to celebration - feasting and lovemaking; the centrality of the Church; a humble submission to godly tradition; the peace of federal headship in marriage; a soulful nurturing of children for millennia; a community shaped by rural rhythms; self-responsibility and a fading state; an acknowledgement of creational hierarchies; a harmony of gratitude and discipline in developing technologies; the predominance of poetic over rationalistic knowledge; a confidence in the triumph of the cross."This book is probably the best book a Christian could read in order to get a vision of what Wilson terms "a second Christendom" would be like. We should be striving to conform ourselves not to a rigid, formal, modernistic Christianity, but a Christianity full of life, zest, and power. Until we break free from the cage called modernity, we shall never truly experience and enjoy the life that God has given to us.

Another must read....

Imagine growing up in a Christian church and never experiencing joy...Why? I don't listen to much CCM these days for pretty much the same reason so many grow up in churches without joy: It seems that too many are afraid of life! Somehow, if they experience the joys of God's wonderful creation, it must be wrong...Being so quick to dismiss anything prior to the industrial revolution as antiquated, we have fallen prey to a false piety...almost a soul-less exsistance where sin is found in matter (it most certainly does not!), and life is only something to survive in.This book brings Calvinism home. God created all things, and part of our worship of Him is to express our thanks by enjoying His creation. As Christians, we should fear NOT to celebrate His goodness...why do we preach joy, but not live it?This book brings it home.Again.PHyatt