An Essay on the Theory of Painting. by Mr. Richardson.

by Jonathan Richardson

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T135916 London: printed by W. Bowyer, for John Churchill, 1715. 240p.; 8

• Format: Paperback
• Language: English
• ISBN: 1140905104
• ISBN13: 9781140905103
• Release Date: May 2010
• Publisher: Gale Ecco, Print Editions
• Length: 246 Pages
• Weight: 0.98 lbs.
• Dimensions: 0.5" x 7.4" x 9.7"