Amerika: The Missing Person: A New Translation, Based on the Restored Text (The Schocken Kafka Library)

by Franz Kafka

Book Overview

From the author of The Metamorphosis and The Trial and one of the greatest writers of the twentieth century, his first--and funniest--novel. Amerika tells the story of the young Karl Rossmann who,... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0805211616
• ISBN13: 9780805211610
• Release Date: August 2011
• Publisher: Schocken
• Length: 336 Pages
• Weight: 0.74 lbs.
• Dimensions: 7.9" x 0.7" x 5.2"

Customer Reviews

Condition not "very good" was moldy

Have not read it yet. Book arrived in poor shape with mold growing on the cover. (had to wash off with sanitizing wipes)

The finished masterpiece

Although considered by many to have been left unfinished by the author, it is unclear why such a conclusion should prevail. This is the touching story of an innocent, "the missing person", who progresses through a series of exiles, each taking the protagonist into stranger and crueler surroundings, and with each the protagonist becoming more distant, more... missing... until, at last (and truly this is not giving away any critical plot line), he joins the Theater of Oklahoma, where absolutely everyone is welcome: a neater and more fitting finale there could not be. Each episode with its own cast of unique characters, captured beautifully in this translation that renders both the humor and sadness, the brutal reality and dreamy implausibility, the impossible simultaneity of levels which is Kafka's genius without equal. But in this book, composed in his youth, we see the author perhaps at his warmest, his healthiest, depicting what may be the quintessential American experience.

Outstanding Addition

Mark Harman's new translation of Kafka's 'Amerika' is both stark and nuanced. This is an invaluable supplement to the body of work that constitutes Kafka's work in that it includes numerous fragments and variations. 'Amerika' is the product of Kafka's fierce imagination-he has thrown Karl Rossmann into a real though still surrealistic environment where the stark realities of modern life are as real and oppressive as they are in our nightmares. After being thrown out by his uncle, Rossmann is forced to become an elevator attendant at a hotel, where he is cast into the arbitrary world of labor and servitude. This is a neglected masterpiece from the great Kafka. Harman has produced an accomplished translation of a deeply perplexing and vibrant text.

Kafka:The mental Traveller

Kafka never set foot in America, Yes, it's true. He writes however quite valiantly about the American lifestyle of the era in a manner that suggests that he had been there. As far as importance, this novel might not rank high up there in terms of the Kafka canon, but it is perfect for those who have just started. If you've never read Kafka, read this book first, and then move on to anything else-- you will literally feel yourself falling off a literary cliff. There are reocurring instances where the main character precariously falls into the most atrocious situations, of which he has no control. Trust me, you'll be hitting yourself over the head, this is a fairly comical book, and only a pit stop for other things to come.

Amazing

It amazes me how Kafka has caught the American spirit so well. Since the end of World War II, Ameirican culture has become increasng hedonistic at the expense of other nations and even our own poor. But that spirit is reflected especially so in the 1990's where we seem to have forgotten what it means to look out for one another, and have lost the meaning of true hospitality and human empathy. Perhaps, Tom Brokaw in his new book, The Greatest Generation, is right; not since our grandparents has the nation cared for it's own in such an unselfish manner. That sense of caring seems to have been lost to us today.

"Lite" reading, by Kafkaesque standards.

Kafka's image of a foreboding land in which "no one has sympathy for anyone" and in which the statue of liberty carries a sword instead of a torch is amazingly perceptive for a writer who never set foot on the American continent. The novel's theme is unjust accusation and the willingness of others to believe the worst without knowing or caring about the facts. _Amerika_ is especially pertinent to today's America of trial TV, Dr. Laura Schlesinger and Jerry Springer -- in which the armchair sport of sanctimoniously plucking motes from the eyes of others has become a national passtime. Maybe Kafka had an insight into the future direction of American culture, or maybe we've always been this way. Despite all this, _Amerika_ is Kafka's most upbeat work, and it ends on a fanciful, optimistic note. Beware, though: it is also Kafka's least complete work and the last chapter completely changes scene and situation without any explanation. Even given this fault, however, the book is well worth the read. Kafka does get a lot of things wrong about American culture, but he gets the important themes right and even some of the details (like our obsession with pointlessly saying "hello" over and over on every chance meeting). _Amerika_ might well be the Kafka novel for those who don't like Kafka -- a kind of Kafka lite. To those familiar with the gloominess of the Penal Colony or the Castle or the Trial, _Amerika_ will seem like PG Wodehouse by comparison.