American Musical Theater: A Chronicle

by Gerald Bordman

Book Overview

Gerald Bordman's American Musical Theatre has become a landmark book since its original publication in 1978. In this third edition, he offers authoritative summaries on the general artistic trends and developments for each season on musical comedy, operetta, revues, and the one-man and one-woman shows from the first musical to the 1999/2000 season. With detailed show, song, and people indexes, Bordman provides a running commentary and assessment as...

• Format: Hardcover
• Language: English
• ISBN: 019513074X
• ISBN13: 9780195130744
• Release Date: March 2001
• Publisher: Oxford University Press, USA
• Length: 936 Pages
• Weight: 4.20 lbs.
• Dimensions: 2.6" x 10.1" x 7.4"
• Age Range: 13 to 17 years
• Grade Range: Grades 8 to 12

Customer Reviews

American Musical Theatre: A Chronicle

AMERICAN MUSICAL THEATRE: A CHRONICLE is the definitive work concerning the American musical theatre. It is organized by date of first production, and, as such, presents a picture of each year's musical productions since the beginning of the art form. It is easier to use than Odell's ANNALS OF THE NEW YORK STAGE, and picks up where Odell leaves off. Together they cover the subject exhaustively.

Paragraph description on EVERY show

I just finished reading all 821 pages of this book (no pictures), and am very proud of myself for having done so. This reference book chronicles Musical Theatre in America, show-by-show, starting in 1757 (!) and reaching all the way to 2000. Paragraphs are given for each show and can be found in chronological order of their opening nights. Revivals are also discussed on their opening nights.Despite the repetitive setup of the book's information, Bordman is able for the most part to write entertaining yet dense descriptions of the show's plot, hit songs, message, and overall run. Although he spends more time on Musical Theatre's great hits (the biggest hits get a full page or two), some of Bordman's best writing moments come during his descriptions of some of Broadway's awful flops. Other reviewers of this book criticize that Bordman has less to say about musicals since 1960. I find this also to be true in some respects. In Bordman's defense, this is in part due to the decline in Broadway's quality in the 1970s and 80s. Bordman clearly comes from the camp of critics who feel that The Best Little Whorehouse in Texas and Cats, while popular, are not as artistically relevant as Oklahoma! and Show Boat. Bordman is also no fanatic of Sondheim, as well, although he recognizes his lyric-writing genius. For these reasons, the book gets four stars. Having read the entire book, however, I must say that I know a lot more about American Musical Theatre than I did before, and probably know more by reading this book than by reading any other. For libraries this book is a MUST have. It's not cheap, but neither is any other 900-page hardcover book. If you are looking for the ultimate reference on American Musical Theatre, this is it.