Focusing here on the comic genius of Flannery O'Connor's fiction, Anthony Di Renzo reveals a dimension of the author's work that has been overlooked by both her supporters and her detractors, most of whom have heretofore concentrated exclusively on her use of theology and parable. Noting an especial kinship between her characters and the grotesqueries that adorn the margins of illuminated manuscripts and the facades of European cathedrals,...