American Encounters CL

by José E. Limón

Book Overview

The idea of crossing the border between the United States and what award-winning anthropologist Jos Lim n calls "Greater Mexico" has always conjured images of racial hostility and exclusion. Through... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0807002364
• ISBN13: 9780807002360
• Release Date: January 1998
• Publisher: Beacon Press (MA)
• Length: 251 Pages
• Weight: 1.15 lbs.
• Dimensions: 1.0" x 6.3" x 9.3"

Customer Reviews

Read this provocative, wonderful book: American Encounters.

José E. Limón explores what he calls the "conflicted yet enamoured" relations between Greater Mexico and the United States through a series of encounters - real and imagined - between Mexicans, including Mexican Americans, and Anglos. Limón sets the scene with a surprising, original comparison of Mexico and the U.S. South. Both were based on agricultural economies, slow to industrialize, poor, and defeated in major wars. The winners stigmatized the losers as culturally inferior. But the artists and intellectuals of both the U.S. South and Greater Mexico reversed the negative stereotypes assigned them. The "losers" didn't see themselves as degraded, but rather "projected a profoundly eroticized and affirming vision of their cultures as more bodily intense, inherently `artistic,' and sensuously spiritual." How these images change over time, who is doing the changing and for what purposes, are themes of this complicated, rewarding book. Going to the movies with Dr. Limón suggests that, at least on the big screen, we've come a long way. In 1953, High Noon presented a strong, ethical and morally superior Helen Ramirez, a woman loved and desired by the sheriff Will Kane, but to whom he lacks the moral courage to commit himself. Helen Ramirez, as town madam, is politically and economically a step above the sexy "señoritas" Anglo cowboys lusted after in popular culture, but still marginalized, stigmatized, and relegated to what we now call "the sex industry." The 1956 movie Giant gave us the serious Juana, who is not defined by her sexuality, but by her work and seriousness of purpose. Juana does not suffer from forbidden love, but marries Jordy Benedict, son of the wealthy ranchowners Leslie and Bick Benedict. Juana and Jordy have a son who will be a leader in the emerging, more equal Texas. By 1995, Lone Star showed the smart, well-educated and sexy schoolteacher Pilar and her Mexican-American community politically ascendant in their community. Pilar romantically encounters her old flame, Sam, the soon-to-be-former Anglo sheriff, as his complete equal."We do our best political work," asserts writer Anne Finger, "at the place where hurt and questioning come together." We could hardly find better proof than in Limón's discussion of Katherine Anne Porter's short story "Noon Wine." Porter, a writer who Limón clearly admires, grew up in Central Texas and was drawn throughout her life to Mexico and Mexicans. But in her fiction set in Central Texas, she completely ignored her Mexican American neighbors. Why? The easiest answer is that Katherine Anne Porter, while a great writer, was poisoned by the racism of her time and place. Limón takes this possibility seriously, but is not a man who ever settles for the obvious. Pushing beyond the surface, he wrestles to find another solution to Porter's painful omission. Limón's struggle, while poignant, yields an answer that may or may not convince you