This volume reframes the development of US-American avant-garde art of the long 1960s--from minimal and pop art to land art, conceptual art, site-specific practices, and feminist art--in the context of contemporary architectural discourses. Susanneh Bieber analyzes the work of seven major artists, Donald Judd, Robert Grosvenor, Claes Oldenburg, Robert Smithson, Lawrence Weiner, Gordon Matta-Clark, and Mary Miss, who were closely associated...