Amanda Lear, the one who didn't exist: an impressionistic approach to the woman with a hundred faces, the diva who condenses all the divas within herself. Christian Soleil became interested in the character as soon as she appeared on television screens in 1978 as a singer. He has had the opportunity to cross paths with her at all times, guided by chance and a fierce will. Amanda Lear taught him unintentionally that you can always contradict fate. But more than the character, it is the artist who moves and fascinates him, it is the visions that Amanda puts on the canvas and that prefigure her path, like a memory of the future.
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