This provocative study traces Alfred Hitchcock's long directorial career from Victorianism to postmodernism. Paula Marantz Cohen considers a sampling of Hitchcock's best films-- Shadow of a Doubt, Rear Window, Vertigo, Psycho --as well as some of his more uneven ones-- Rope, The Wrong Man, Topaz --and makes connections between his evolution as a filmmaker and trends in the larger society. Drawing on a number of methodologies including feminism, psychoanalysis,...