Al Williamson Adventures

by Mark Wheatley, Bruce Jones, Archie Goodwin, et al.

This oversized art book presents a huge dose of Al's exceptional illustrations for stories authored by Harlan Ellison, Bruce Jones, Mark Schultz, Archie Goodwin, and Mark Wheatley. It includes new and... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 1889317179
• ISBN13: 9781889317175
• Release Date: January 2003
• Publisher: Insight Studios
• Length: 96 Pages
• Weight: 2.05 lbs.
• Dimensions: 0.6" x 9.3" x 12.3"

Customer Reviews

Al Williamson Adventures -Solid collectiom

I bought this book recently(it's been out about a year or two),because I love Al Williamson's artwork. This is a nice collection of Al's 1980's and 1990's work(I should say pencil work because Al's been inking for Marvel for about 20 years). Alot of this stuff is still available but it's nice to see it collected in a good package(bigger than the typical comic size, and on really great paper). In my opinion, this dosen't really compare to "The Art Of Al Williamson" or the recently released "Hidden Lands"(why hasn't that been released in hardcover?),however this is a really good compliment to both.

Well Worth the Money

I became an Al Williamson fan because of his 1950's work for EC Comics. All of the work here is post-EC, but is superlative. Production values are excellent, as is the material. Williamson is one of the greatest SF illustrators still at work today. This is not to be missed.

One of the Greats

I first saw Al Williamson's art in the old Creepy magazine published by Warren, and he was a standout, with his classic illustration style figures, deft brush and ink lines, and dynamic compositions. Totally slick yet loose and energetic, the inheritor of all that is best in 20th century advertizing/comic strip technique, ornate and slightly old-fashioned looking. His only rival might be Frazetta. The reproductions in this book are primo. The black and white stuff is like finding unread copies of Creepy to enjoy, and there is even a really nice color story- the color added not by the old color separation method, but what looks like watercolor (or maybe dye) over the inks, superbly handled. Such a classy style, such solid knowledge, such debonair craft, and no so-so early stuff, only mature, full-flavored work. If you like Williamson, this is the best collection I've seen.