Acts of Literature

by Jacques Derrida

Book Overview

First published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.

• Format: Paperback
• Language: English
• ISBN: 0415900573
• ISBN13: 9780415900577
• Release Date: January 1992
• Publisher: Routledge
• Length: 470 Pages
• Weight: 1.41 lbs.
• Dimensions: 1.0" x 5.9" x 8.9"
• Age Range: 18 years and up
• Grade Range: Postsecondary

Customer Reviews

A challenge to read

I'm used to reading philosophy, but I might be too dark and dour to comment on this kind of book. Given an ambiguous situation, I have major problems seeing how it might have anything to do with me. Even if comedy was an art form, I might not be funny, or even meaningful, or in any way like this book. Considering the impossible situations that I have imagined myself in, as in: If Nam was a joke, I was the straight man; this book seems to be another instance in which the main routine is like a popular, major comedy, which you don't see me laughing at. How could I be sure that there is something here as funny as a video of the routine, "Who's on first?" I still only see the questions, and the fact that Who's wife sometimes comes down and picks up his check for him doesn't make it any clearer to me.This is not the first book by or about Jacques Derrida that I have tried to read. An interview, "This Strange Institution Called Literature" (pp. 33-75) establishes that it is possible for the editor, Derek Attridge, and J.D. to talk to each other about literature and philosophy, though few people might be aware of what J.D. means by "Anamnesis would be risky here, because I'd like to escape my own stereotypes." (p. 34). Forgetting about Nam (Nam amnesia?) might be risky for me, because I have so many things that I always consider Namlike in their stupidity to remind me, but J.D. was actually saying that recollecting his past would be risky. Anyone who thinks ought to be able to escape his prior conditions or convictions, and it's much easier if no one remembers what they are.There are only a few mentions of Nietzsche in this book, and the index says they are on pages 9, 26n, 34, 37, 39, 81, 287, 293, 326n, but I say they are on pp. 9, 26n, 35, 37, etc. and also in the title of the essay, "Rhetoric of Persuasion (Nietzsche)" by Paul de Man, and its conclusion: "This by no means resolves the problem of the relationship between literature and philosophy in Nietzsche, but it at least establishes a somewhat more reliable point of `reference' from which to ask the question." (p. 327).There is a chapter of this book on "Before the Law" by Kafka. In addition to thoroughly explaining everything in that short work, there are a number of suggestions, like "Under these conditions literature can play the law, repeating it while diverting or circumventing it." (p. 216). Those who are not familiar with Kafka might underestimate how much this book attempts to make the law seem less practical than Chapter 9 of THE TRIAL. "This entire chapter is a prodigious scene of Talmudic exegesis, concerning `Before the Law,' between the priest and K. It would take hours to study the grain of it, its ins and outs." (p. 217). Then J.D. offers an explanation, but then starts talking about Prague and "my officially appointed lawyer told me: . . . `Don't take this too tragically, live it as a literary experience.' And when I said that I had never seen the drugs that wer