Gail Marshall argues that the professional and personal history of the Victorian actress was largely defined by her negotiation with the sculptural metaphor, and that this was authorized and determined by the Ovidian myth of Pygmalion and Galatea. Drawing on evidence of theatrical fictions, visual representations and popular culture's assimilation of the sculptural image, as well as theatrical productions, she examines some of the manifestations of...
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Arts, Music & Photography England English Literature Ethnic & National Europe History Humor & Entertainment Irish Literature Literature & Fiction Modern (16th-21st Centuries) Movements & Periods Mythology Mythology & Folk Tales Performing Arts Theater Victorian Wales Women in History