Acrylic Landscape Painting Techniques

by Hugh Greer

Book Overview

Filled with inspirational artwork and solid instruction, this guide will delight loyal acrylic painters and encourage artists from other mediums to cross over. Greer's instruction capitalizes on the... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 1581800630
• ISBN13: 9781581800630
• Release Date: January 2001
• Publisher: Northlight
• Length: 128 Pages
• Weight: 1.81 lbs.
• Dimensions: 0.8" x 11.5" x 9.8"

Customer Reviews

Wonderful book

I love love love Hugh Greer's paintings. I'm new to painting and to acrylics so am a rank beginner. He goes thru the materials that he uses and why, the supports he paints on, recommends a limited palette of colors and then demonstrates various techniques that he uses to create his paintings. There is a wealth of great information here and the photos are very helpful. My only complaint is that there are "gaps" in the steps that left this beginner shaking her head as to what to do next. However, Hugh Greer has 3 videos that I have purchased and watched and they, together with the book, are a great course in painting with his techniques. It really makes a difference to watch him actually painting on the videos. I will be reading, rereading and reading again. And watching the videos dozens of times.... It's well worth the effort !!!

Highly instructive

Hugh Greer is a master of landscape and architectural painting. His innovative techniques are unique; the result of his former career as an architectural renderer. I can't recommend this book enough...

Wonderful technique!

HAVE LEARNED SO MUCH FROM THE GREAT TECHNIQUES IN THIS BOOK. i RECOMMEND IT HIGHLY.

Gained knowledge from the first page on

I appreciate the complexity of nature and the way this book relates to the observing and using your inner feelings to paint. Thank you for such a good book to paint from and use often.

A good reference book on acrylics landscape painting.

In painting, I am an experimentalist. What it translates into is that I inadvertently keep my checking account on a diet plan! (Hope you get my joke!) Although being a die-hard oil painter (en plein air landscapes and figure painting), I am also using acrylics in figure painting (and other media such as watercolor, charcoal, and ink occasionally). I find this book a good one to own.Acrylics, "the medium of the 20th century" (or so I'm told), combined with landscape painting, "the mind-opener to artists", are the subject of the book.As the title stated, the readers will have a chance to enjoy a broad spectrum of knowledge on light, color, and texture using acrylics. The fact of the matter is "light, color, and texture" are ALL one needs in painting. Well, someone may argue with me that, "What about value, hue, edge, and so on?" Value is light, hue is color, and edge is no stranger to texture. (The legendary realist artist Burton Silverman is not even a big fan of "edge", so I digress.) The bottom line is this book covers the most fundamentals of painting (landscape in particular) in acrylics.More specifically speaking, the readers will learn from this book:- using value and light to create an aerial perspective (nearness, farness), as well as time and weather effects- using a limited palette to create a wide range of colors- using acrylics in different techniques, such as those in watercolor and oil, to create a variety of effects. These techniques include, but not limited to, washes, glazes, splattering, and others- All of the above, IN ACRYLICSThis is a good reference book on acrylics landscape painting, although the techniques discussed in the book (with respect to acrylics, that is) can be used in painting other subject matters as well. Before seeing the book, I had had a chance to experiment on how to paint figures to make them look as if they were painted in watercolor, then in oil, and (of course) in acrylics (!). It is a valuable repertoire in my art endeavor. This book is not only an ego-booster (for me only, since I had tried some of the techniques before reading it), but it also widens my knowledge of this medium in painting landscapes. (I only paint landscapes in oil.)Speaking of painting landscapes, "too much information" is what Mother Nature is so generous of giving to the artists. It is like an ample portion of a delicious meal. The trick is to know how to choose what fits one's appetite most. That "something", or as we all know it as "a center of interest", and how to develop it, is also discussed by the author.All in all, this is a good reference book on acrylics landscape painting to own!