Abraham van Dijck developed an alternative to his master Rembrandt's style: exploring inner life with daring experiments in light and handling. This is the first comprehensive monograph of his work
In the years around 1651, Rembrandts young charges followed him in the turn of his late style, with its concentration, inner emotion, impasto handling, and restrained dynamism. Around then the young Abraham van Dijck also arrived from Dordrecht...