A Matrix of Meanings: Finding God in Pop Culture

by Barry Taylor and Craig Detweiler

Book Overview

From the glittering tinsel of Hollywood to the advertising slogan you can't get out of your head, we are surrounded by popular culture. In A Matrix of Meanings Craig Detweiler and Barry Taylor analyze... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 080102417X
• ISBN13: 9780801024177
• Release Date: November 2003
• Publisher: Baker Academic
• Length: 351 Pages
• Weight: 1.15 lbs.
• Dimensions: 0.8" x 5.9" x 9.3"

Customer Reviews

Matrix of Meaning

This is one of my favorite books. Fuller Seminary Professors Craig Detweiler and Barry Taylor (who both also happen to be involved in the Hollywood world) approach popular cultural with anthropology, sociology, philosophy, and theology to discover the questions of culture, what God is doing in the world today and how Christians can join Him in this work. They inspect advertising, celebrities, music, movies, television, fashion, sports, and art from the perspective of being both artist and pastor. Detweiler and Taylor see a Jesus who walked the streets, of whose ministry we read more of his interaction with marketplace people than synagogue teachings, who was accused of spending his time with "sinners," with the rejects of the church, a Jesus that lived in a specific culture at a specific time, a characteristic sometimes forgotten in our almost docetic approach to Christianity. In the introduction, the authors write, "We embrace pop culture because we believe it offers a refreshing, alternative route to a Jesus who for many has been domesticated, declawed, and kept under wraps" (p. 9). The book introduces a new aspect to hermeneutic and suggest ways to open the church doors to "that bright, passionate audience of young people whom advertisers covet and the church is in danger of losing" (p. 8). Some of their ideas may feel dangerous to the shepherds of the flock and the guardians of truth that want to protect their people from the threatening ideas and philosophies of the world, but they dive in to play with the dolphins and the whales and the coral. More than deconstructing the modern method, they seek to reconfigure and recontextualize. They remythologize the gospels, not in order to create a story devoid of truth, but in order to recapture and embodied heroism and life that invites us to find our community in God's metanarrative of creation, fall, and recreation. I found this book a refreshing challenge to engage with culture, rather than standing outside of culture waving our parental fingers with a "tsk, tsk." While not losing the integrity of their Christian heritage, Detweiler and Taylor walk the streets to dialogue, to learn, and to share wisdom, to find God in pop culture. I have put this book on my must-read list and have become a self-designated publicist. My only regret is not being able to give this over 5 stars.

Not just looking, but FINDING God in Pop Culture

Craig Detweiler and Barry Taylor have bettered and deepened their theology, their knowledge of the Creator of life, and have shared insights from their discovery in their recent book, A Matrix of Meanings: Finding God in Pop Culture. Their methodology is rather simple; they immersed themselves in pop culture and allowed it to inform and transform their theology. Having done so, they are pretty adamant that this is the only way to ascertain theological significance in pop culture. Viewing pop culture from the inside out enables one to find patterns of meaning within, a matrix, which further allows one to comprehend the theological contribution of a pop cultural event. Bernard Lonergan, a Catholic theologian who is quoted in the first chapter of A Matrix of Meanings, believes a shift from the modern empirical approach to theology to a postmodern approach "requires that theology be conceived, not as a permanent achievement, but as an ongoing process of mediation between...a cultural matrix of meanings and values and a religion within that matrix." Detweiler and Taylor stress "only after careful inspection and reflection do we dare to locate values and religion within that matrix" (31). The postmodern shift happening in contemporary culture is addressed at the beginning of this text. In postmodernity, the ancient serves as the foundation for the present. And due to globalization, borders are blurred, which creates a global village that enables the everyday individual to have access to new ideas, interaction with new perspectives, and expansion into new values. As such, a consciousness of pluralisms is expressed in society, in everyday relationships, and, more specific to the aims of A Matrix of Meanings, in theologizing.Consequently, recognizing the importance of engaging pop culture on its own terms in an ongoing relationship, Detweiler and Taylor have responded by creating a rather ingenious matrix to aid in making and discovering meaning and theological significance. Included are various artistic forms (TV, movies, music, fashion, art, and sports), a study of the marketplace (driven by consumerism, fueled by advertising, attained by celebrity), and ten trends that invite serious, theological reflection, which sum up postmodernity as being post-national, post-rational, post-literal, post-scientific/technological, post-sexual, post-racial, post-human, post-traumatic/therapeutic, post-ethical/institutional, post-Christian. Basically, assumptions and understandings across many fronts need to be shifted in light of the current cultural climate. I am completely open to each of the post categories because I have been undergoing a major life-shift for several years now, redefining and rediscovering faith and its lived reality in my life. Bastions of society are still gripping tightly to conservative, fundamentalist values and approaches to life, theology, and the discovery of meaningfulness. Most notable to me are the many who buy into the na

Flipping the Script

(Note: This review not only attempts to review the book, but also engage some previous reviews.)What Detweiler and Taylor have done here is what Detweiler calls "reversing the hermeneutical flow" (a.k.a. "flip the script", to quote "8 Mile"). In other words, rather than taking the Bible and looking at (a.k.a. criticizing) Pop Culture through what we think the Bible says, they take a thorough look at pop culture and use than as a method of viewing - or at least presenting - the God of the Bible. For any who have a hard time with that, read on.As one reviewer has already stated, from the outset this book states that it's primarily for people that already like Pop Culture and have wondered how to reconcile that with their Christian worldview. Furthermore, the authors ask tough questions of the Church. If the majority of the world connects with Pop Culture way better than they do with the Church, then why is that and what are we to do about it? Sorry, but the "they're fallen beings" excuse isn't gonna cut it anymore. Detweiler and Taylor take us beyond the "seeker-sensitive" approach and genuinely challenge the Church to engage Pop Culture in a respectful, dynamic way. Even in the profane, God is talking and it's time we recognized holy ground when we saw it. It's a different and (I think) more accurate version of things than we typically hear from the evangelical pulpit. God is talking through culture with or without the Church's approval!For those who have "reservations" about whether Christians should be as comfortable with culture as the book suggests, I offer this thought. The Bible was not written in a cultural vacuum, nor was Jesus born into one. Inspired? Sure. Absolutely devoid of any cultural influence? I think not. Read John 1 to those who haven't grown up in the church (or even those who have) and most would have a blank expression on their face because it was written to appeal to those influenced by the contemporary hot worldview: Stoicism. Parables were the movies of the day. There are four different Gospels in order to present Jesus slightly diffently to four different cultures. Paul understood culture enough to address it in Athens at the tribute to the "unknown god" (note that he didn't try to disprove their other gods before making the connection for them). These guys presented God (and, I would argue, understood God) through the lens of their culture. Why are we so affronted by others suggesting we do the same?"There's nothing new under the sun", and God is still looking for those who will help meet Pop Culture where it's at and make those connections. This book does it in a whole different sort of way. Rather than giving easy examples ("this movie means this") that you can use in your next Bible study, they attempt to form a worldview that takes in all of culture and finds where God is working ("teach a man to fish", etc). Bottom line: most of us still need to have our "scipt flipped". For me, this book, an

Read the preface and introduction

Some in haste to dismiss this book might fail to recognize the starting point the authors readily admit they are coming from."We acknowledge that the entertainment industry generates plenty of products worth criticizing...we believe that the "sins" of pop culture have received ample coverage in previous books. Our book will concentrate on what's right with pop culture." (pg. 9)"We congratulate those who have sought to frame cultural engagements as a test of personal purity...For those hoping to find clear prescriptions for what Christians should or shouldn't watch and listen to, this is not your book. Instead, we write for students who have decided to live out their faith with feet planted firmly in the world." (pg. 9)With a proper understanding of the context the authors are coming from, this is a quietly engaging book with deep insight into the many mundane and profane works of God.