The first book in English to address Ingmar Bergman's cinema through a broad array of classical and contemporary approaches. Widely acclaimed around the world from the mid-1950s to the early 1980s, Ingmar Bergman's films were often considered outmoded by the turn of the last century as exemplars of a long-gone European 'art cinema'. However, in more recent years, his work has been reconsidered with fresh eyes, recognized as speaking to...