How to Become a Famous Artist and Still Paint Pictures

by W. Joe Innis

Book Overview

Energy, Power, and Transportation Technology provides a comprehensive study of the basic elements of energy, power, and transportation and how they affect the world in which we live. This textbook covers the resources, processes, and systems used in these industries. It discusses the progression of these technologies from their first use to current use, and it also includes information on potential future technologies. ?For maximum teaching and learning...

• Format: Hardcover
• Language: English
• ISBN: 0890159564
• ISBN13: 9780890159569
• Release Date: January 1994
• Publisher: Eakin Press
• Length: 241 Pages
• Weight: 0.84 lbs.
• Dimensions: 0.8" x 5.6" x 8.5"

Customer Reviews

Stunning Work

This book was really entertaining. I was sad when I finished reading it as I enjoyed every anecdote, every story. Innis not only imparts his philosophies of art and artist, but gets into the nitty gritty of how to put it all together to make a living as an artist and become internationally famous. Make sure to read the introduction, as it tells you what you can expect life to feel like as a famous artist-its not what you may be expecting. He also describes other roads that artists often take to try and make it and explains why they don't work; he knows because he tried many of them first hand. The step by step path that he lays out is so clear and clever it was shocking, and struck me as completely achievable. Get this book; its funny and it gives you what you're looking for and more. I'll be keeping my copy around for future re-reading.

For the serious artist

That want to be able to sell their work. Innis lays down a lot of information, and he has some strong opinions. While you might not agree with all he has to say, he offers straight forward advice and no holds barred points of fact.Besides all that, it is just an interesting book to read and fun too. He offers some tips on how not to be a "pigeon" (fat lazy birds that beg and simply follow the crowd) that are just good advice and can be applied to endeavors other than painting. His writing is humorous and often blasts certain types of thinking and institutions.He gives advice on what kind of materials he feels are best, plus tips on how to arrange certain things in you life to be able to paint.His plan on how to launch your career is straight forward, simple to understand and seems very realistic. The hard part is the work. This is no "pie in the sky" method, Innis insists that a painter have 2 or 3 hundred paintings under their belt before presenting work to the buying public. He wants the artist to be a good draftsman before trying to paint. He wants the artist to use a professional writer and a professional photographer to create a catalog of work. He doesn't offer any "secret" tricks here, just a solid method to becoming a professional well paid artist.The one area of disagreement I have is that he is a little to emphatic when it comes to certain materials. He advocates using acrylics on inexpensive canvas with large brushes. While that is fine for many types of work, it simply doesn't cut it with others such as the seascapes I tend to paint. I use fine linen (yes it is 200 bucks a roll but it feels so nice) and I use expensive oil paints (the colors and the strengths of pigments make it worth it). I also use many small brushes for detail work. But these differences don't really effect the reading of the book, he just gives his reasons why he uses and prefers the types of materials he uses. He does make a really good point about staying away from watercolor and I have to agree 100 per cent on this.All in all, for any one that is seriously considering trying to launch a career in painting, a career --not a weekend at the park selling 25 dollar paintings-- then this book is a must read and I highly recommend it.

Crusty but tasty

One of those gotta-have books for the artist. I laughed my way silly as I read through this book and pestered my friends with quotes from it for months! Unless you're married to an abstract expressionist who makes their living with grant money, you'll think it's funny and right-on too. He's sarcastic, biting and not a little cranky when it comes to Academic, Museum and Gallery commentaries. But hey - my experience as an artist has been pretty much the same, so I can't fault him for tellin' it like it is. And he does it with buckets of humor.I guess you would call Joe a modern impressionist painter - if you want a classification for him. So he comes from a realist point of view rather than an abstract one. However, Joe is certainly not anti-abstract, he's just anti-pretensiousness (I made that word up I think?). Joe's been there and done that. He spills his guts and lets us know what works and what doesn't on the way to becoming a well-known and successful artist. I have no doubt, if you have talent and the guts to follow his program you can make a very nice living as an artist.Highly recommended.